New England Guest Pavilion in New Canaan is a rectangular glass structure designed to maximize views of a pond on the eight-acre property.Steven Clark is the craftsman behind Melbourne-based studio, Den-Holm. And clever use of shading can assist in heating and cooling the space.ĭeborah Berke Partners is working on another project that not only shares the aesthetic of Johnson’s Glass House, but also its ZIP Code. Today the material can be embedded with materials that provide insulation and protection from the sun without changing the look. More: Coronavirus Pandemic Prompts Developers to Rethink the Future of Homes That includes “shade structures along glass lines, the optimal orientation of the building for the sun, and super-insulating the building solid walls and roofs.” “In using glass, we try to balance the great views with a careful attention to comfort and simple ways of achieving energy performance,” says Ameet Hiremath, a partner at Deborah Berke Partners. Built in 2013, it is LEED Gold Certified, meaning it fulfills certain energy efficiency, sustainability, and other requirements established by the U.S. The 6,900-square-foot home incorporates a flat roof for solar panels and canopies that extend over outdoor spaces to create shade and diminish glare. Take the East End Compound in Bridgehampton, New York, by Deborah Berke Partners. Both based in New York, they use today’s technology to make glass homes more efficient to build and run. Lewis says.Ĭontemporary architecture firms such as Deborah Berke Partners and Toshiko Mori continue to push the style forward, Lewis notes. “It used to be an extravagance to build with glass, but now it’s not so much,” Ms. More: Jonathan Adler on the End of Minimalism, and More Many of these elements are now key features of modern buildings, from coastal mansions in Florida and California to country estates. “It was really about the idea of bringing the inside into connection with the outside, or indoor-outdoor living.” “Johnson was thinking about integrating with nature,” Ms. Johnson’s Glass House was originally set on five acres of expertly landscaped grounds-the property is now about 50 acres. In addition to the use of industrial elements, such as glass, brick, and steel, hallmarks of these homes were open layouts with direct access to the outside. Both sites are now open to the public and maintained by the National Trust for Historic Preservation. Although the Farnsworth House wasn’t built until 1951, it was designed in 1945. Johnson’s design was inspired by the work of Mies Van der Rohe’s Farnsworth House just outside of Chicago, Lewis notes. More: Apartment Buildings Rush to Improve Air Quality Ahead of a Summer Spent Indoors The architect completed the home in 1949 and lived there until his death in 2005. The Glass House, designed by Philip Johnson in New Canaan, Connecticut, is one famous example of the style. “The whole idea of glass construction goes back to the earliest days of modernism,” says Hilary Lewis, chief curator and creative director at the Glass House. But the style has its origins in the first part of the 20th century. Technology has allowed architects to push the boundaries of these structures, making them more efficient and sustainable. There are no obstructions, only views that go on and on. Light and landscape are truly integrated in a glass house.
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